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Don't Think I've Forgotten: Cambodia's Lost Rock & Roll

Orginal title: Don't Think I've Forgotten: Cambodia's Lost Rock & Roll / United States 2014 / Documentary / 106 minutes / Director: John Pirozzi
  • »You can't help but marvel at the power of (music) to sustain itself through the people who made it, and those who love it.«

    Al Jazeera America

  • »A living archive.«

    Art 21 Magazine

  • »Riveting. At once exotic and familiar, intoxicating and revelatory.«

    Asbury Park Press

  • »A poignant and important reminder that art matters.«

    Austin Chronicle

  • »Every bit as entrancing and haunting as the lost music it celebrates.«

    AV Club

  • »Expertly weaves Cambodian history and political strife through the lens of rock and roll.«

    Bitch Media

  • »A spellbinding survey of Cambodia's lost era of psychedelia-infused lounge rock and roll. A high watermark of investigative journalism.«

    Bomb Magazine

  • »The music, the stuff of cultish collectors for decades, is thrilling.«

    Boston Globe

  • »Eye-opening and moving.«

    Chicago Reader

  • »Part historical document, part celebration of a nearly lost form.«

    Columbus Alive

  • Interview with John Pirozzi (director), Mol Kagnol (musician) and LinDa Saphan (producer and researcher)

    Democracy Now!

  • »A brilliant cultural excavation, connecting survivors' memories to a generation's worth of energetic music.«

    East Bay Express

  • »A giddy whirlwind ... tons of vintage footage.«

    Film-Forward

  • »Employs clever animation and colorful sequences to capture the energy of the rock scene.«

    Folio Weekly

  • »Pirozzi gets it right. [The film] assists in deepening the humanity and underscoring the richness of Cambodian culture.«

    From The Projection Room

  • »A poetic remembering of a culture lost during war. Serves as an ode to gentle, loving people who suffered terribly, but somehow have kept their spirit.«

    Helena Independent Record

  • »If Don't Think I've Forgotten is any indication, this Southeast Asian country has a lot of soul.«

    Hollywood Reporter

  • »Patches together the vibrant, fraught history of the Cambodian rock and roll scene.«

    Huffington Post

  • »A labor of love that shines the spotlight on performers who made great music and whose legacy was almost erased.«

    Ink 19

  • »Stunningly told and peerlessly edited. Lush with gorgeous sights and sounds.«

    KEXP Blog

  • »A glowing tribute to the universality of art.«

    Louis Proyect

  • »This film does a great job capturing this little known gem of history.«

    Madison Film Forum

  • »A huge revelation for the music history books ... Provides a completely refreshing new perspective.«

    NBC San Diego

  • »The sound is thrillingly new for American audiences.«

    New Republic

  • »Revives a lost art. Bracing.«

    New York Daily News

  • »A rich and defiant effort at recovery, showing that even the most murderous totalitarianism cannot fully erase the human drive for pleasure and self-expression.«

    New York Times

  • »Paints a picture of...Phnom Penh as a vibrant city teeming with garage bands and rebellious rockers.«

    Newsday

  • »The nearly lost story of Cambodian rock 'n' roll.«

    NPR

  • »Most of Cambodia’s artists — including the country’s three biggest singers, Sinn Sisamouth, Pen Ran and Ros Serey Sothea — vanished without a trace.«

    Open City

  • »Sometimes a music documentary reaches a state of transcendence. John Pirozzi's new film is that kind of movie.«

    Phoenix New Times

  • »Heartbreaking. A tough but uplifting reminder that no matter what awful things humans do to each other, art survives.«

    Pittsburgh City Paper

  • »Mesmerizing.«

    Reel and Rock

  • »This is a fantastic film then, filled with terrific music and colourful characters, all tied together by an astute journalistic heart.«

    Reel World Reviews

  • »Crucial. A testament to human resilience.«

    Rochester City Newspaper

  • »Very good and moving. Deserves the widest possible audience.«

    San Francisco Chronicle

  • »Cambodia's music scene had plenty to offer.«

    San Francisco Weekly

  • »This story needs to be told, and this music needs to be heard.«

    Santa Fe New Mexican

  • »There is a universal appeal.«

    Seattle Times

  • »A real crowd-pleaser.«

    SFGate

  • »Insightful. Compelling.«

    Slant

  • »More than a music documentary.«

    Spectrum Culture

  • »John Pirozzi's documentary is one of 2015's most bracing entertainments.«

    Ten Best Movies of the Year - East Bay Express

  • »The sheer range of music on offer is astonishing.«

    The Dissolve

  • »A musical restoration of the country's history, a celebration of art, and an homage to those who paid for it with their lives.«

    The Stranger

  • »Personal and detailed. This project was an extensive undertaking.«

    Vice

  • »Striking work.«

    Washington City Paper

  • »A fervent cry for the power of music.«

    Washington Post

  • »Carries with it a sense of discovery so profound it's practically archaeological.«

    Weekly Alibi