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»You can't help but marvel at the power of (music) to sustain itself through the people who made it, and those who love it.«
Al Jazeera America
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»A living archive.«
Art 21 Magazine
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»Riveting. At once exotic and familiar, intoxicating and revelatory.«
Asbury Park Press
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»A poignant and important reminder that art matters.«
Austin Chronicle
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»Every bit as entrancing and haunting as the lost music it celebrates.«
AV Club
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»Expertly weaves Cambodian history and political strife through the lens of rock and roll.«
Bitch Media
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»A spellbinding survey of Cambodia's lost era of psychedelia-infused lounge rock and roll. A high watermark of investigative journalism.«
Bomb Magazine
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»The music, the stuff of cultish collectors for decades, is thrilling.«
Boston Globe
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»Eye-opening and moving.«
Chicago Reader
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»Part historical document, part celebration of a nearly lost form.«
Columbus Alive
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Interview with John Pirozzi (director), Mol Kagnol (musician) and LinDa Saphan (producer and researcher)
Democracy Now!
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»A brilliant cultural excavation, connecting survivors' memories to a generation's worth of energetic music.«
East Bay Express
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»A giddy whirlwind ... tons of vintage footage.«
Film-Forward
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»Employs clever animation and colorful sequences to capture the energy of the rock scene.«
Folio Weekly
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»Pirozzi gets it right. [The film] assists in deepening the humanity and underscoring the richness of Cambodian culture.«
From The Projection Room
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»A poetic remembering of a culture lost during war. Serves as an ode to gentle, loving people who suffered terribly, but somehow have kept their spirit.«
Helena Independent Record
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»If Don't Think I've Forgotten is any indication, this Southeast Asian country has a lot of soul.«
Hollywood Reporter
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»Patches together the vibrant, fraught history of the Cambodian rock and roll scene.«
Huffington Post
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»A labor of love that shines the spotlight on performers who made great music and whose legacy was almost erased.«
Ink 19
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»Stunningly told and peerlessly edited. Lush with gorgeous sights and sounds.«
KEXP Blog
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»A glowing tribute to the universality of art.«
Louis Proyect
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»This film does a great job capturing this little known gem of history.«
Madison Film Forum
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»A huge revelation for the music history books ... Provides a completely refreshing new perspective.«
NBC San Diego
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»The sound is thrillingly new for American audiences.«
New Republic
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»Revives a lost art. Bracing.«
New York Daily News
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»A rich and defiant effort at recovery, showing that even the most murderous totalitarianism cannot fully erase the human drive for pleasure and self-expression.«
New York Times
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»Paints a picture of...Phnom Penh as a vibrant city teeming with garage bands and rebellious rockers.«
Newsday
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»The nearly lost story of Cambodian rock 'n' roll.«
NPR
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»Most of Cambodia’s artists — including the country’s three biggest singers, Sinn Sisamouth, Pen Ran and Ros Serey Sothea — vanished without a trace.«
Open City
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»Sometimes a music documentary reaches a state of transcendence. John Pirozzi's new film is that kind of movie.«
Phoenix New Times
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»Heartbreaking. A tough but uplifting reminder that no matter what awful things humans do to each other, art survives.«
Pittsburgh City Paper
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»Mesmerizing.«
Reel and Rock
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»This is a fantastic film then, filled with terrific music and colourful characters, all tied together by an astute journalistic heart.«
Reel World Reviews
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»Crucial. A testament to human resilience.«
Rochester City Newspaper
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»Very good and moving. Deserves the widest possible audience.«
San Francisco Chronicle
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»Cambodia's music scene had plenty to offer.«
San Francisco Weekly
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»This story needs to be told, and this music needs to be heard.«
Santa Fe New Mexican
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»There is a universal appeal.«
Seattle Times
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»A real crowd-pleaser.«
SFGate
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»Insightful. Compelling.«
Slant
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»More than a music documentary.«
Spectrum Culture
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»John Pirozzi's documentary is one of 2015's most bracing entertainments.«
Ten Best Movies of the Year - East Bay Express
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»The sheer range of music on offer is astonishing.«
The Dissolve
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»A musical restoration of the country's history, a celebration of art, and an homage to those who paid for it with their lives.«
The Stranger
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»Personal and detailed. This project was an extensive undertaking.«
Vice
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»Striking work.«
Washington City Paper
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»A fervent cry for the power of music.«
Washington Post
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»Carries with it a sense of discovery so profound it's practically archaeological.«
Weekly Alibi